If you are using the QuickTime editing mode:
#After effects twixtor alternative pro#
We then create a Universal Counting Lead clip (see the Premiere Pro manual) of the required duration to pad the clip to the final duration that we need.įor any Premiere projects using the plugin : First we put our clip into a sequence (we’ve named it Sequence01). So let’s say we want to make sequence longer by a factor of 2.
The plugin by itself may not extend a clip past its original duration. Having different input and output frame rates using the plugin is not supported by Premiere Pro. We suggest you use the built in Universal Counting Lead (see the Premiere Pro manual), which will create a new and different frame at each point in time (although you can use any piece of footage that changes every frame to pad out the sequence) Now apply the plugin to this intermediate extended sequence inside of another sequence. As such you cannot use the Black Video video generator. Each frame must be unique, or Premiere Pro will not rerun the plugin on each frame. This is a necessary Premiere Pro workaround.
Make sure this intermediate sequence is extended to the correct final duration with valid frames (To “trick” the plugin into producing a frame for ALL of the extended sequence). If you are making the duration of a piece of footage longer you will first need to put your footage in a sequence that is the correct final duration. IMPORTANT: A plugin by itself cannot extend the duration of a layer or sequence it is applied to. Users of Premiere 6.0 or 6.5 please see the following subsection Having different input and output frame rates using the plugin is not supported by Final Cut Pro.įor example, lets say we want to apply a RE:Vision Effects time-extending plugin to a 10 second sequence, and that the final sequence will be 30 seconds. Now apply the plugin to this intermediate extended sequence inside of another sequence. This will create a new and different frame at each point in time. We now suggest that you extend the clip by simply appending multiple copies of the original clip along the timeline in the intermediate sequence. As such you cannot use the Slug or Gradient video generator. Each frame must be unique, or FCP will not rerun the plugin on each frame. The plugin shows up in the submenu “Effects->Video-> Filters->REVision plugins.”
Both Solid and Adjustment layers inherit the composition duration. You can also do the same thing using an “Adjustment Layer”.
In addition, you’ll probably want to make the SourceFootage layer invisible (by clicking the eye icon in the composition window), so if you have transparency in your footage, the non-processed footage doesn’t show through. Apply the plugin to the Solid layer and set the Source Layer to be SourceFootage (by default, Source Layer will be set to the new Solid layer you just created). and make the Solid layer have the duration that you need of the resultant processed source. Then create a Solid of the same pixel dimensions as SourceFootage.mov. There is another workaround to making a clip longer with a plugin which we mention here because it saves you from “pre-comping” your footage: Drop your source to be processed (we’ll call it SourceFootage.mov) into a composition (of course the source may be another composition). To the Intermediate Composition inside the Final Comp. Apply plugin(such as FieldsKit Deinterlacer)
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